Calypso music has long occupied an integral place in the cultural framework of Trinidad and Tobago, and in the 20th century became a major cultural export. This project explores the rise in popularity and the commodification of the traditional Calypso song style, and its musical evolution to Soca, the more contemporary and more globally-popular form. The history of Calypso is long and murky, with its true origins lost to the chaos of colonialism and the African slave trade, and a deep dive is beyond the purview of this project. My aim is to outline a brief history of Calypso and its role as a social tool, and then to explore the expanding international commodification of Calypso and Soca through of the concept of diffusion. There is a deep well of scholarship regarding the geography of music. Using Nash and Carney's (1996) "The Seven Themes of Music Geography" as a framework, I was inspired by the question under investigation from the 1970s onward: "What is 'ma...
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